Preface This is a self-indulgent post, a chronicle of a normal and mundane, if fortunate, series of events in a normal and mundane, if fortunate, human life, and as such there’s really nothing about it that ought to interest anyone but me, the person who recently lived it. But for me it is so vivid,…
New Recordings from Me and Ned Boynton
Here’s a set of tunes I recorded recently with Ned Boynton. In October, 2023, my close collaborator Ned Boynton and I traveled to Minneapolis, Minnesota, USA to play as a guitar / accordion duo for the cocktail hour and wedding ceremony of a couple of now-newlyweds. I really enjoyed getting to meet them and their…
Why Twelve?
Modern Western musicians live and work mainly with a twelve-note chromatic equal-tempered scale. As you can read in ample resources elsewhere on the web, equal temperament is a tuning compromise that lets fixed-pitch instruments play in every key without sounding more out of tune in any key than in any other, and without sounding too…
Perfect Pitch?
Welcome to yet another episode of “Somebody asked a question on social media so Robert wrote a blog post!” People ask about a thing called “perfect pitch.” Confusion about this phenomenon is so rampant that even the Wikipedia article about it contradicts itself in its first two paragraphs, which I quote here for reference: Absolute…
A New Accordion-Nerd Video!
Today I posted a video to YouTube in response to a rather inside-baseball question on social media about easier ways to play a particular type of chord on the left side of an accordion, the side with all the buttons that look the same (but sound different!). The video is called Crazy Stradella and it’s…
Phineas Newborn, and Revisiting the Question of “What Good are Scales?”
As students of music we aim to train our ears to hear each note on its own terms, and when we improvise, to intend each note on its own terms. To many of us, especially jazz students, scales can be crutches that work against the goal of musical intent because relying on rules like “every…
Fun with Fills, What Good are Scales, and Thoughts on Growing Musical Vocabulary
You know how every now and then you hear something and you’re like, “What was THAT?!?” Well, I was listening to music in the car a while back and this amazing fill caught my ear big-time. I made a note to come back to it because it sounded fantastic and a big part of it…
A (NOW FIXED!) Disappointment with My New Organ Clone
[ Over three years since I described the Viscount Legend phasing problem here and reported it to the factory, Viscount has issued the new OS 1.9 update for the Legend series and I am ecstatic to report that the update appears to fix the problem I described in my original post below back in January,…
My New Organ Clone
[ Edit added in January, 2020: If you are reading this to understand how the different organ clones compare, make sure you check out my more recent blog post about a disappointing problem with my Viscount Legend Live. ] I play Hammond console organs, the kind whose best known exemplar is the famous B-3. There…
The Greatest Feel-Fake in Rock and Roll
This posting might interest non-musicians but it’s written with musician readers in mind, hence the “musician’s corner” category tag. Before you read on, it might be best to listen to this entire song and then come back here. The web and the world are heavily populated with objects, still images, and videos like this one and this one that show us how…
An oldie, linked here for reference (singing at jam sessions)
Here’s a blog post I wrote a few years back giving advice to singers who want to perform at jam sessions. Interest in the post reawoke recently when someone on Facebook raised the topic of discord between singers and instrumentalists, and we all agreed that much of the discord would dissolve with a few simple…
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